domingo, 28 de septiembre de 2008

Antilla and the Human Tornado

By Leandro Estupiñan / leandro@ahora.cu
Photos: Amauris Betancourt / amauris@radioangulo.icrt.cu
Some hours after Antilla had been ravaged by Ike hurricane, the inhabitants of the town lived another spine-chilling moment: the birth of a tornado at the bay. It was halfway afternoon when the arm of water and wind was heading for the coast. Had it gone on, a second natural force could twist over the already twisted. Women got horrified. A little boy asked his father if it was all a nightmare. The father tried calming him smoothing the boy’s hair out. Everything was very clear, the baby thought. They walked on another reality's step that had gobbled them up Sunday night when Ike hurricane strolled among streets and corridors with an enormous power.

Then schools were made into shelters to evacuate possible victims. Minimal conditions were arranged for in such a way foodstuff could be cooked for many people at the same time.








Had it been another city and or another circumstance, that would not have mattered. It was Antilla though, head town for the likewise named municipality of the province of Holguin, bathed by the waters of the Bay of Nipe. The piece of information stopped being a pin placed in the tape of time to become a lighted door. Four hundred years ago, as for the legend and testimonies picked up in 1687 by a parish priest of the church of Santiago del Prado, three men in search of salt –Juan Moreno, born a black slave, and two indigenous brothers Rodrigo and Juan de Hoyos- had found the figure of the Holy Virgin with baby Jesus in the arms on a board printed with: “I am the Virgin of Charity”.

Ever since in Antilla and, although the Virgin had only a hermitage destroyed in the late 60s’, people are convinced that the Holy Patron Saint of Cuba since 1916, tinges the region with a mystic look.
To top it all, the hurricane hit Antilla the exact day of its celebration. That's why, when the place was made out from the bus by the members of the artistic brigade coming form Havana, actress Corina Mestre said to all, in a vast voice like her body: “In this place the Holy Patron Saint of Cuba came into sight.” Exchanged small talks and looks came only to an end on arriving to the House of Culture.


Artists got down with their eyes on nearby buildings. Neighbours looked surprised to the arriving visitors. Humorist Osvaldo Doimeadiós seemed mesmerized. Israel and Yoel, members of Buena Fe band, greeted young girls that, knowing in advance they would come, awaited anxiously. Nassiri Lugo, director of Moneda Dura band, said hello too. They stepped into the House of Culture, half-way destroyed, that served yet as a shelter for several families. So they were welcome.



The brigade of artists arrived in Holguín to perform in places where Ike hurricane had played havoc on, such as Gibara and Banes where they had already carried out performances. In addition to Antilla, Fray Benito in the municipality of Freyres, Mayarí, Báguano and some neighborhoods in Holguín waited for them. “When it was heard about Ike's damages in East Cuba, artists did not hesitate to request the Ministry of Culture their presence in affected areas to bring them spiritual help.” Corina Mestre said it before starting each presentation, two per days. She is touched seeing in front of her so many children, women and men that seem to forget for some minutes the trauma of the moment to become enraptured in another space: The one belonging to sensations provoked by a funny story, a song, a game, a sound.
Although the brigade is welcome, the program ends up being exhausting. Dinamics made them improvise sometimes aboard the bus all along the way. While driving to Gibara, the famous tres-guitar player Pancho Amat had to gather the musicians of his band to set up a theme with singer Beatriz Márquez. He jotted everything down on several papers and rehearsed mentally what he would be playing minutes later on the improvised stage. Thus, the public listened to the new music arrangements of a classical bolero included in the Marquez's repertory, Spontaneously.
On listening to it, people from Gibara in el Guirito must have been so touched that they gave her as a souvenir a winkle as a remembrance to her visit. They did not have any other thing to offer. It was a devastated village where winkles were the only survivors as the result of strong winds.

Artists make any thing before acting: clowns Tontolín and Lintonta hand out bottles of water; magician Azcuy tells anecdotes to closer passengers; Holguin’s humorist duo Checkmate, part of the brigade, guide the visitors; Ireno García and Coralita Veloz look out the bus window.


Troubadour Ireno García got impressed to be recognized in Antilla when he got down the bus and listened “Look, that is Ireno Garcia”. It was strange. Ireno’s face does not appear in television as much as his voice. But people follow his voice, as at Miguel Salcedo primary school, turned into a shelter with a 170 evacuees, and at the Central Park. Men stood up on tables. Children and women made a circle around artists acting. Ireno sang with his intimate voice: Let's go to walk, the sun is setting…



The afternoon saw a Central Park full with a crowd and nearby buildings filled with a heterogeneous public. Many people were there; some preferred though to stick to restoring their brought down houses. Not faraway, several men and women saved books at a store where water and wind left havoc.


Next to the Municipal Museum, birthplace house to underground revolutionary fighter René Ramos Latour, a man had lost half the roof. He kept being perched in a stair hammering while listening to some music in the radio: “The thing is that some government officials in the municipality have not shown up as much as we want. At least out of solidarity, to explain. If Fidel could walk, he would sure have already gone to all places”.
It was a very sunny afternoon. The sea seemed in quietness. Antilla remembers its times of prosperity, its importance as a sea-port town, and the wrongdoings of so exotic inhabitants like pirate Wílliam Hasting. In a not faraway hill two cemíes clay figures were found once: Taguabo (God of Rain) and Maicabó (God of Drought).
At 5.00 p.m. people enjoyed the artists’ sensitive part as good as it could get: Pipo Pérez's voice embedded in overthrown roofs. Buena fe’s music targeted trees. Celina Gonzalez’s Punto cubano trilled to the wind. After witnessing such an environment in the Park, I remembered the tornado that threatened the town before fortunately diluting on the air. But what I was thinking about was not the real tornado; it was about the poet's song. We just needed something similar to a human tornado: A sweeper of sadness, a pouring rain in revenge that on stopping could seem like our hope.

viernes, 26 de septiembre de 2008

A Second Hit to Gibara after Ike Hurricane

, By Leandro Estupiñán / leandro@ahora.cu
Photos: Amauris Betancourt. / amauris@radioangulo.icrt.cu


I happened to overhear it last Wednesday when the Director of Culture in Holguin was being told: the man to whom Cuba owes the International Non-Budget Film Festival of Gibara had just passed away.

Humberto Solás, one of the most important national moviemakers, director of films such as the representative Lucia (1970), Cecilia (1982 and 1983) and A Successful Man (Un hombre de éxito) (1986), paid a visit to Holguín in April during Gibara´s Movie Festival (founding president), a film meeting that, thanks to his perseverance and commitment, has become an international gathering for low-budget movie producers.

He chose the sea city of Gibara because he arrived there one day to film one of Lucia’s stories. It was the life of a woman fighting against a male chauvinist society, but in Revolution; that is, according to his meaning, in constant change.

Gibara ended up then a fetish plateau ever since, in the same way actress Adela Legrá was fetish. He went back to Gibara later to film one of his latest movies: Miel para Ochún (2005), an example of what he considered a low-budget film. He said it many times: it is a cinema carried out with few resources, but with a high artistic, aesthetic and meaningful sense.

It was his last bet. He began filming that last film one day in 2002. There was no script, but lots of cameras. The boys attending the Festival brought them along with. They wanted to learn from their masters. They had believed in the call without thinking it over that much.

To Gibara's city, a city like Havana but without sprouting, musicians, moviemakers, actors, painters and international personalities arrived. Enthusiasm reigned then. Rumor had it that an important visitor, the Spanish composer Joaquin Sabina, was to come. Regrettably, Sabina did never arrive, but his absence was forgotten one night amid fireworks when everybody seemed to sing: it is worse for the sun...



Solás did not shout either Action; however, he began filming himself: neophytes’ visits to movies, experts’ conferences about short and full-length films, homages to famous moviemakers were recorded for ever. Gibara was the starting point for people to go anywhere in the world, and from that anywhere, people came back to Holguin. It was precisely there where memoirs of his National Movie Prize Awarding were engraved in 2005.

He was taken once to the corner of Mártires and Frexes streets to witness a new building. A coffee-shop emerged there. It was The Tres Lucias coffee-shop named after his 1970 movie. The city paid reverence so to the artist and to Cuban movie. The coffee-shop, a popular space today, showed up large scale posters of the three actresses starring in the memorable film Lucia, among the top-ten best Ibero-american. A pleasant environment was breathed, bathed by the coffee aroma and soundtracks of known movies. Everything was doing all right till Humberto Solas made out three small busts in the corner. He got closer and realized they were replicas of Cuban moviemakers Santiago Álvarez, Titón and of himself. He did not like the honor and the bust made after him, reproducing his face, had to be withdrawn. He was not dead yet.


Solás was a vital man and he filmed a movie, the man's film lifting to outstanding places the art of third world countries, the movie of the Island of Cuba. He had summoned his friends and he had no end in mind. He had a lot to say left. There was not much time. The film is not over yet today, and Solás has not yet either ordered the conclusive Cut!


This place served as one plateau for a scene in the film Lucia.

sábado, 20 de septiembre de 2008

Moa after Ike Hurricane

Text and photos: Amauris Betancourt.
Moa, the youngest municipality of Holguín, puts up with remarkable damages as a direct consequence of the powerful Ike hurricane. The strong winds uprooted practically the vegetation of the city. Before Ike, it was just about difficult getting to see parts of the city from its avenues or from some places; now its buildings emerge on top of the standing vegetation's remains and its considerable volume makes the municipal capital city stands out clearly. Moa, known for its so important nickel production for the Cuban economy, has a mixed population, who arrived there from all the parts of the country to satisfy the needs of working hand in the chores of the metal production.
In addition to the population Moa once had, stemming from the former Soviet Union aiming at advising the chores of nickel extraction, it has added the nowadays Canadian advisers and university students, coming not only from almost the Island's all provinces but also from several countries.The hurricane Ike hit with a likewise strength this municipality, and brought about the same damages than in others, but less perceptible because they do not reach the level than in the municipalities of Antilla, Banes, Feyre and Gibara, all located in the northern coast of Holguín.

The manufacturing process of nickel got lightly affected but thanks to the miners’ endurance the production reaches slowly the same extent as before and will go on steady when the Commander Ernesto Guevara nickel factory starts over.

Antilla Town Brought Down by Ike Hurricane

Text and Photos: Amauris Betancourt.
amauris@radioangulo.icrt.cu

Antilla, Holguin.- the smallest and less inhabited municipality in Holguin province, was almost totally razed by Ike hurricane's strong winds.Antilla, bathed by Nipe Bay, the biggest bag bay in the world, was founded in 1906 when Mr. Van Horne, administrator of Cuba's Railroad Company, settled down there.
Its houses, for the most part wooden made after US southern arquitectural style, were majestic and strong, but they have been severely worn out by time.
The town's 3040 houses could not do much off to face the strong Ike hurricane that caused partial or total damages in 3025 of its dwellings.

But Antilla is recovering and its dwellers are recycling part of the survived materials as they wait for the Government's supplies distributed gradually with all the necessary building materials for the houses' reconstruction.In spite of all that people from Antilla keep up their pride, optimism and happiness prevails on the streets, what could be felt by the warm welcome given to the artistic brigade that is touring the areas pattered by Ike.

Something curious: Ike hurricane hit Antilla by accident 400 years after the discovery, according to the legend, of the Virgen de la Caridad del Cobre by three fishermen who found Cuba's Saint, in the waters of Nipe Bay. A school in Antilla had several damages in its books.

Ike Hurricane Erases a Village in Gibara

Text and photos: Amauris Betancourt.
amauris@radioangulo.icrt.cu

Gibara, Holguin.- El Guirito, a fishermen village located between the eolian power generator site and the city of Gibara, was practically swept away overnight, while being hit by Ike hurricane last September seven.
Inhabited by fishers its dwellers were evacuated during the hurricane’s informative phase. The settlement, to the entrance of Gibara's Bay, lacks a sea wall that could have protected the area to some extent. It was therefore quite easy for Ike hurricane to invade it with its strong winds and pave the way for the sea waters to wreak havoc on all buildings way in.
School in the "El Güirito" village.
The settlement got reduced to debris and one or two isolated walls. Only a few houses outlived the impetuous hurricane.

Some dwellers are still evacuated because many people from this municipality, which almost evacuated 3 thousand 500 people out of its 73 thousand inhabitants, almost half of its current population, lost their places.
The old city of the White Village of the Crabs, as they also call Gibara, was not badly damaged. Only those areas closer to the sea, and mainly the sea wall, destroyed in several segments.
Gibara recovers, nevertheless, like all affected areas in the island, but slowly because damages are considerable and resources are scarce.