By Leandro Estupiñan.
Translation and photos: Amauris Betancourt.
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Cuba celebrates officially on October 20 the National Day of Culture: the past, the identity, the virtues and defects, the seasoning of food, the Cuban way of speaking Spanish: our Culture.
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Perucho Figueredo wrote then in Bayamo, 140 years ago, the lyrics of our National Anthem; and Muñoz Cedeño, of mixed racial ancestry, orchestrated it. It happened in 1868, amid the patriotic environment of those days in a town where inhabitants would not doubt to set fire to before yielding it to the Metropolis.
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The eve in Holguin, the legendary Avilés Orchestra saw to perpetuating the date with a concert. Its existence, filled with a history threaded in the Cuban countryside, serves to realize how important it is to keep up, and to pay homage to, traditions.
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On October 20, the afternoon was suitable to remember why solidarity is a pillar of the Island. At the El Alba Profesional Art School's gallery, students and art-goers attended a painting exhibit. "Estructura (Structures)", its title, belongs to the Ecuadorian, living in Mexico
now, Xavier Léon Borja.
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Leon Borja believes in collective art. His works aimed for assistants to finish up what he had started. It happened thus: his sketches ended up painted by the ones attending as observers. He goes in for democratic art. Something like that exercise inspired in the psychoanalysis that
surrealists called "exquisite cadaver."
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Holguin has a whimsical conception of culture, trapped between aboriginal reminiscences and that day when three caravels broke the virginity of our naïveté.
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October 20 is a date filled with all those meanings. Every minute leaves behind the existence's scratch; and existence is also to sing an unending Anthem.
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